My Take On The Busters *cough* Oscars...

OK, after months of speculation, the Oscar nominees have arrived. How many of you were satisfied with the lists?

I, for one, have stopped taking the Oscars seriously years ago; it is such an elitist and "inside" group, and we all should know by now that the politics involved have people winning awards that really have no business doing so. They throw out a bone every few years to someone that is Black, and it is always hailed and regaled as a "victory" to open doors, but afterward we are once again subjected to a few more years of complete and total white-washing. But it has gone beyond that...where are the accolades for Latinos? For Asians? For Eastern Indians?

Hollywood never, ever, EVER seems to understand that diversity makes life (and their lame awards show) interesting. Everyone remembers Monique winning last year, but can you name three others (be honest)?

There is an old saying that I have always remembered, taken from an ancient Chinese philosophy book, and it applies to the Academy in volumes:

"Diversity is actually an important and necessary ingredient, which adds creative spice to a group."

Film is universal! The stories told in ANY film are relevant to a good portion of the population, regardless of race. Until Hollywood and the Academy can get this through their heads, I am down with the mission of AFFRM. If you don't know what AFFRM is, please click here and support! And oh yeah, I will NOT be watching the show this year...cheers!


UPDATE: Please check out CNN's article on this issue...the comments over there are sincerely pathetic and sad, and will boggle the mind. I am convinced, more than ever before, that we are completely unsupported in Hollywood, and must step away from the studios and an intolerant audience in order to have a system that allows us to create and be heard. Racism in conventional Hollywood is apparently NOT disappearing anytime soon, and has zero interest in doing so: http://www.cnn.com/2011/SHOWBIZ/Movies/01/26/diversity.academy.awards/index.html

And THIS Is Why I've Barely Been Blogging...

Okay, I'm coming back, but starting off with a quick one. I tweeted about this one this morning, but still can't wrap my mind around the direction in which Hollywood is heading....it just seems to get worse and worse by the millisecond.

Rihanna and that kinda hot dude Eric from "True Blood" (I can't remember his real name) are the leads in the film "Battleship", based on the freaking kids game! I wrote about this travesty of a possibility a couple years back, but figured someone must have come down from their crack high since I didn't hear about it again. Until now. Crack pipes for everyone!



(be back later with an ode to vonetta mcgee)


pic via dlisted


UPDATE: Hilarious reader comments:


TechKappen said...

Psssh. I'm still waiting on my Monopoly movie. But this sounds pretty riveting. Is he going to pick F5 or B7???

I wonder if they'll play on Rihanna's forehead...


Tafari said...

Never under estimate the value of a good crack high. Never!


Ehav Ever said...

I wonder if there will be a critical point in the movie, where all looks dark and at its worst. Then someone will yell out......You sank my battleship!

Mish/Mash

OK, I know I said I was gonna post once a day about these old school films (which I still am), but I got caught up having to make a two day trip to San Francisco...I'm sorry, but I DO NOT miss living there....my hometown is falling to pieces on a non-tourist level.

Anyhoo, until I can git ta writin', I'll leave you with my beloved Sergio's opinion of "Just Wright", and a preview of a film that fell into my inbox. If you're looking for a film for the weekend, I highly recommend "Shutter Island", which I viewed online on the plane last night...it's the next best thing to Hitchcock. I have been giving Leonardo DiCaprio the side-eye for over a decade, and though I have liked some of the the films he's been in (Gangs Of New York, for example), I never thought he should be Scorcese's DeNiro replacement muse until this film. I actually think my man can act! lol. Well, here is Sergio's opine on "Just Wright" (and "Mandingo"):

I've seen Just Wright and it's a lame, totally predictable, tepid, boring film. And aside from the fact that you've seen it 1000 times before and can predict everything that's going to happen long before it does, it's TOO nice. King (yes I said KING) Latifah and Common play too of the most blandest, nicest, dullest people on the planet in the film. They're not human, but mannequins. I suspect that Latifah's character in the original script was sassier, tougher and rougher around the edges. You know, a REAL person. But I suspect she's had the script rewritten to eliminate any roughness, least people think that she's too...ahem...manly.

Common is the nicest, safest, NBA player in history. I mean c'mon a NICE considerate NBA player?? Here's an idea...what if the film had made him an arrogant, loud mouth, annoying person (with maybe a baby momma somewhere) to hide the fact that he's an insecure. lonely person afraid his glory years as a player has passed him by. You know a REAL person. And of course keep in mind that he eventually dumps Paula Patton over for the King in the film too. Yeah sure, that's real belivable But I understand this is a fantasy not real life. (Then again didn't he date Serena Williams for a while? Maybe's he's got a thing for mannish chicks)

The film is so lame that it resorts to the old worn out trick of a character (the King in this case) driving an old beat up car that NOBODY in real life would drive just to show that she's "quirky". I still think that film should have been the King and Paula Patton are involved in a relationship and Common comes along, they have a "three way express", he "converts" Patton and they leave off happily ever after. Now THAT would have been a movie.

BUT Mandingo. THAT MY MOVIE! Love it, love it, LOOOOVE IT! One of the still fondest movie going experiences was the first time I saw the film when it came out and there was this brother in the seat behind was doing this HYSTERICAL running commentary during the film and when it got tho the big sex scene with Ken Norton and Susan George (which lasted all of 30 seconds) he had me damn near on the floor rolling. The film is available though Legend Film label in restored widescreen and anamorphic too which you can buy on Amazon or other online video stores. Unfortunately there's no commentary or extras, but the film has never looked this good since it was first released. You know I've got a copy.

From IW: Not surprised about "Just Wright", but I will give my opinion on "Mandingo" over the next couple days.

Here is an independent Black film that came into my inbox; no message, no comment, no synopsis, no nothing--just a link--so I really don't know what to say. Anyway, at least you know there are those out there trying outside of the Hollywood System. Also, you can now sleep at night knowing that the milk carton alert for Joseph C. Phillips is official solved:

More Halloween Shenanigans...

I'd love to report on some new Black film, but nothing has come directly in my radar. I know there is "Good Hair", but for the life of me, I can't seem to be able to force myself to see it. After being told for most of my life that I have "good hair" by stylists (always making me cringe), I find the subject extremely tired, and wish it would be buried. I wear my hair natural and curly, flat ironed, kinky twisted, weaved, braided--and it has nothing to do with my esteem, just fashion and how I feel like wearing it. Can we just let Black women wear their hair the way they want to and leave it at that? I have met plenty of "natural hair" wearing folks that are perfect a-holes, trust. 'Nuff said (not knocking those with natural locks, btw).

Anyhoo, like I said, I have been on a quest to find some Black film to report. After looking forward to attending the Hollywood Film Festival this weekend, I was extremely disappointed to learn that there were no films featuring Brown people on the program list (at least that I could see). I don't mind seeing all types of film, but I am not down with obvious exclusion. Hey, note to the YT film festivals: do you really still have no clue that your events will be 100 times more interesting and well attended if you have even a smidgen of diversity? Just damn!

So I have busied myself with enjoying the October/Halloween offerings, at the movies and on cable. Along with all of the usual Vincent Price standard fanfare, I went to see "Zombieland". There were tons of plot holes abound, but it was the best fun time I've had at a film in a while...I even bought candy, drinks, and popcorn, something I never do at the highway-robbery prices, cause it was the type of film that made you want to have the full movie experience.

I also saw "Paranormal Activity", the kind of real horror film that Ms. I digs very much. There has been a real dearth of horror films over the past decade...I've said this before--I don't consider slasher films real horror film. How many times can you you see some masked dude use a sickle/ax/knife/whatever to kill stupid teenagers and unsuspecting folks minding their own business? And "Saw" and "Hostel" and it's ilk? Just sick in my opinion.


Real horror films are quieter, more involving, and inspire a great sense of dread...usually based in the supernatural. They make you care about the characters, and are based in realism. "The Blair Witch Project" was great, so was "Signs" and "Cloverfield", cause to me it was how real folks would react in real situations in modern times. "Paranormal Activity" was also a complete and total testament that an excellent film could be made on basically no money ($15,000)....this was the real deal to me as far as what defines horror.

Which brings me to this...a subject that comes up here and in my email quite often is why aren't there more Black horror films? I mean, I don't feel "Somebody Help Me" with Omarion and Marques Houston really counted, cause not only was it completely generic, all of the rest of the cast was non-Black. We have "Tales From The Hood", which was a good try, and slightly amusing, but on the horror scale, maybe about a four. What to choose from? "Vampire in Brooklyn" (which I reviewed here)? Da Hip Hop Witch with Ja Rule, Pras, and Vanilla Ice? Crazy As Hell? Frankenhood?

Yes, pickings are slim for a modern Black horror film. "Blacula", as low budget as it was, was at least involving. It seems like we have go back to the '70's once again to see how it's done. One film I would definitely like to give light to ( I talked about it once before here-please click to see beautiful images) is "Ganja and Hess". This is the synopsis on IMDB:

"Dr. Hess Green, an archaeologist overseeing an excavation at the ancient civilization of Myrthia, is stabbed by his research assistant, who then commits suicide. When Hess wakes up, he finds that his wounds have healed, but he now has an insatiable thirst for blood. It turns out that the knife he was stabbed with carried ancient germs that have turned him into a vampire. Soon after, Hess meets his former assistant's wife, Ganja. Though Ganja is initially concerned about her missing husband, she soon falls for Hess. Though they are initially happy together, Ganja will eventually learn the truth about Hess, and about her husband. Will she survive the revelation? Will Hess?"

In the classic real horror movie vein, this film takes it's time, creates atmosphere, draws you into it's visuals and establishes a real story. My beloved Sergio had this to say on a recent comment:

[To] answer Lenox Ave you ought to check out Ganja and Hess, a very weird vampire film (of sorts) made in the early 70's directed by Bill Gunn, who died 20 years ago. I saw it many many years ago with Gunn in attendance (UH OH! Must Love Loves here I go again showing my age) It was recut and butchered in various forms to make it more commercial but it's been restored to its original version and now available on DVD from Image Entertainment. Thanks for reminding me about it. I've been meaning to get a copy myself.

I encourage all of you that are thirsty for Black horror film to see it--buy the video or rent it online and view on your computer for $2.99 HERE at Amazon. And to to read more about Black Horror Films from the '30's to the present, click HERE for Black Horror Films.Com--probably the most comprehensive online.

And all of you aspiring screenwriters--what's up? How about the horror thing? If you really have it as writer, then guess what? You can do it on a shoestring...just do your research and look around even just a little bit. It's time to redefine the genre--we should not have to back 35 years to find something decent, yes?

Speaking of Sergio, we will be on the infamous Afronerd's podcast tonight (10/24) talking about what else? Black Cinema, after Michaela Angela Davis is on. I will be listening, as Michaela got into an online beef with one of my favorite bloggers that I very much stan for. Sergio posted this:

I know that Tyler Perry will be profiled on this coming Sunday’s 60 Minutes, but do you really think anything is going to be revealed about Perry that we don’t know about already? (But then if he was finally to come out on the show that’s a different matter altogether) However I wanted you folks out there to know that Invisible Woman of Invisible Woman Cinema and I be on tomorrow’s podcast of DBurt’s Afronerd Radio from 7:-8:30PM Eastern time – 6-7:30PM Central . The first half of the show her of the wild wild hair (and I love it) cultural and social critic and fashionista Michaela Angela Davis will be the guest for the first half of the show and IW and I will be on the second half to talk about the state Black cinema in 2009. Hope you can take a listen and of course the show will be available for playback anytime after that broadcast on Afronerd’s website, www.afronerd.com

Feel free to call in at: 646-915-9620 or via email/IM-afronedradio@yahoo.com.

When Tyler Perry Is Considered....

Okay, naturally like everybody else I was totally and completely horrified when I first heard the news that Tyler Perry was chosen by Lionsgate to write, produce, and direct the classic play, "Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf" (I'm sure they'll shorten that title). I mean, WTF?

But then, after further reflection, I decided to keep a Zen attitude about it until the finished product....I mean, we've been bitchin' and moanin' (some of us, anyway) since I first started blogging about how mediocre Perry's scope of limited filmmaking is....he had a formula, followed it, then moved on to the next one in his factory line.

But maybe this is his chance to show there really is something else there, without him having the pressure of having to actually create the material himself. In my opinion, the Spike Lee films that I usually enjoy the most he did not write, and he definitely owns the film when all is said and done---maybe Tyler can do that as well. We should at least give him a chance and try to stay positive about it, no matter how great the initial disappointment.

On another note, speaking of Tyler and Spike, this project and Lee's "Passing Strange" lends a little gravity to the thoughts I've had for using on-stage media for film source, yes?

UPDATE: Hmmmm, maybe I spoke too soon...this from a commentor on Shadow And Act in response to a reader who wanted to start an online petition:

[NothingButAMan] – I TOTALLY support your idea of an on-line petition!! Being a former “Hollywood” girl I have great insight to this tragic situation. Stewart, who is an AMAZING talent, had been working solo on the project for the past 4 years (wrote script, secured rights, gained A-list talent, etc) only to have it stolen in a moments notice when she introduced the project to Perry who was only to exec produce. Sooooo- do you want me to start the petition or you? Another example of BLACK ON BLACK crime – this has to stop!!!!

From IW: Wow. Tyler is surely stepping in it....he might have bitten off more than he can chew. This from one of my loyal readers Ms. Lady Deborah:

IW,

I am going to try and keep an open mind until after I see the film.

For Colored Girls was one of the most important pieces of art for women of my generation. That was us up on that stage, talking like we did when we were hanging out with each other. Saying things that often we not spoken out loud during our young days of womanhood.

Those brothers coming from Nam, they were the men we were building relationships with and often paying devastating costs for doing so. Our anger, our joy and our love was/is right there.

It caused quite a bit of friction within the Black community. I remember when it played in my hometown, the brothers were all laughing and feeling the first part of the choreopoem-until the rough subjects like rape, violence and negative views starting being presented. Those moments caused many men to become outraged and declare that it was male bashing. But, we fought back in defense of what was said, because so many of us had lived those moments in our personal stories. Even though many of our men and families did not want to acknowledge that as a matter of fact.

I hope that Tyler realizes if he does not handle this material in a proper manner-he is going to catch the blues from multiple generations of sistas.

For Colored Girls is now a classical work of theatre. He'd better step real correct! I want to hear our voice and the voices of our younger sistas in a manner that I understand.


IW: Like Bernie Mac said in "The Player's Club": "they's gonna be trooouubbbllllee...."

This N' That...

Hey all...I am free from a contract gig that was taking up an immense space of my time and energy...but hallelujah, I free! Which in turn, leaves me more time for my precious blog--aren't you lucky? lol

How about a little movie news, yes?

First up, I don't know what to make of Isaiah Washington. He was kicked out of his house for non-payment of rent. He was on Grey's Anatomy for a few years, wasn't he? What do these folks do with all of those juicy dollars? Damn. But things are looking up for him--he is doing a biopic on the life of Lou Rawls, which I think is wonderful, cause I never felt Lou received his proper due. I think Isaiah is a very interesting choice.


What isn't interesting to anyone, apparently, is the halted biopic of Lionel Ritchie, who was deemed too boring. Dang! He must have had a couple of interesting moments leading The Commodores and getting a karate chop beat-down on his ass by his wife. I'd like to see that.



Ntozake Shange’s play, “For Colored Girls Who Considered Suicide …” is being made into a film. I saw this play when I was a little girl, and don't really remember it, so I am looking forward to it. The film also has a Black female director, Nzingha Stewart. Kudos!


In YT cinema news, I saw "A Haunting In Connecticut", please don't ask why. Perfectly awful, of course. What is even more awful and disturbing is a big screen "3 Stooges" movie with...wait for it.....Sean Penn as Larry (?!), Jim Carrey as Curly (not a stretch), and Benecio Del Toro as Moe (??!!) I mean, really, WTF! This idea just makes me sad inside, especially the part about Sean Penn...just one more in the long line of making stupid choices after winning an Oscar.


Speaking of sad, King Latifah will be in yet another romantic comedy, "Just Wright". **sigh**



I received a note from the head of the Wichita NAACP, Kevin Myles. He said:

Hey Sis, You may want to check this out... The NAACP is asking people to rate the 100 most influential films of the last century. As I was looking through the nominees it was exciting just to go back and watch the trailers from all of my favorites from the last 40 years... Here's a link; check it out: http: / / www. wichitanaacpblog. com/ 2009/ 03/ naacp-top-100-films- of-century-1909_17. html


Check it out folkses, and vote as you see fit. I want to give some Oaktown love to filmmaker Mateen O. Kemet, whose work I will be following closely. He was on the series "On The Lot" and has this lovely trailer for a film he's working on, called "Oakland B Mine". Let me know what you think:




And finally, check me and my comrades out on last night's Obenson Report podcast. It was a bloggers roundtable on what else? Black Cinema. I joined Daryle Lockhart at "The Black Box Office", my beloved Sergio from Ebony/Jet, Solshine from "Reel Artsy", and of course Tambay Obenson. If you'd like to hear us chop it up, click HERE.



Thanks to the wonderful Issa Rae for some of these tidbits...

Rainy Day MMM (Mini Movie Marathon)

The rain has finally broken here in the Bay, but it is still grey and bleak. I've been holed up like a winter bear in hibernation, as I completely detest rain. Honestly, I would rather be in snow. It was so bad that earlier in the week I had tickets to see Raphael Saadiq at the Fillmore, and didn't even go, and I always see Raphael. Is it possible to look cute in the pouring rain? I think not, unless you have an entourage like Kimora Lee Simmons.


Besides the weather, one thing I miss about LA. is the diversity, and the randomness of the celebrities I would spot. A favorite game I would play while waiting in the horrid Sunset Strip traffic from work was "spot that random celebrity". It would veer off in all different directions; Jessica Biel, Alfonso Robeiro, Ryan Reynolds, Vanessa Bell Calloway, the dude from Korn (don't ask me how I knew that), The Empress Of Lucite (my fellow D-Listed readers know that one). While watching the movie "Cover" over the weekend, it made me almost feel like I was playing that game. More on the later. And yes, I am still a bit grouchy, and the following Black Cinema films did nothing to help.

Starting off my MMM were several just as random YT films--"Final Analysis", a thriller that was made when Richard Gere was still semi-hot*, "The Prime Gig" a sleep inducing movie about a big ticket telemarketing scam starring Vince Vaughn, when he was still semi-hot*, and a film that I highly recommend called "Dogtown and Z-Boys", which is a semi-documentary with great footage about the very beginning of the skateboard movement in Santa Monica, CA. Don't confuse it with the weak, fictionalized, commercial version "The Lords Of Dogtown". "Z-Town" made a very pedestrian subject extremely engrossing, and I wear my Vans a little prouder now (for those who don't know, Vans are a sneaker that first became popular by being favored by the surfer and skateboarding cultures in L.A.).

But I seriously digress...on to Black Cinema, yes?


The first one I saw was a perfectly awful movie called "The Last Stand". You watch the strangest things when you can't get back to sleep...is there anyone more unlikeable than Guy Torry? Oh yes, Kevin Hart, who also happened to be in the film. Just grand.

The "movie" premise was about 4 Black comedians trying to rise to fame, overcoming the various challenges in their personal lives. The challenges are wholly contrived, as if they were ripped from the pages of "How To Write Your First Screenplay 101". The guy just out of jail struggling with credibility in the civilian world, the woman abused by her mom's boyfriend, the dude with the unsupportive wife who tells him he's living a pipe dream...ho-hum. Kevin Hart and a very loud Anthony Anderson are secondary characters. Also involved is the strange calamity that is Red Grant (who I wrote about HERE), always a sure sign that you are involved in a z-grade movie.

Then there is Guy Torry as the unfunny comic (the only part of the film that rang true), who runs away from his family life to prove to Daddy he can make it. Oh, and he has a drinking and drug problem that causes him to self-destruct. Why does Guy Torry get more work than Joe Torry? Guy plays the exact same character, the exact same way, in everything I see him in. Never engaging, never funny, always laughing at his own jokes, and never easy on the eyes. And Russ Parr (who "wrote" and directed)? I think dude might seriously want to stick to radio.

So--Kevin Hart, Guy Torry, generic plot, and some arbitrary secondary story about how one of the comedians jumped to their death. The film begins with that, and the body is covered with a sheet. It keeps flashing back to the crime scene throughout the film, and we are supposed to guess who it is. The only problem? The first story is so weak you don't give a flying fig.

Not even worth buying at the barber shop from Hustle Man. Here is the trailer, which makes it look much better than it actually is, believe it or not:





The next is "Cover". Hmmm. I passed on this film at a Black film festival when I had to choose between it and "Three Could Play That Game". Can you believe I chose the latter? Even more so, can you believe I attended a festival that would show it as a selection?

I really wanted to like this film, as I have always been a big fan of Bill Duke, the director. But he is definitely starting to get the telephoto side-eye from me. Between this and "Not Easily Broken" I think he might be paying for his children's Ivy League education or something. Surely a man of his caliber can create his own projects? Or are these films something he actually wanted to do?

This isn't a spoiler, as all of the film descriptions and publicity tell ahead of time what the film is about. It is about a couple who moves from Atlanta to Philly, the husband being some sort of successful doctor. Many of his long time friends are there, all of them extremely shady and suspicious. The husband is hiding a secret, which we all know 10 miles before the clueless wife--he is on the "down-low". Because there is no mystery, and the "twist" is so obvious, you get fed up with the build-up. "Just get to it already!" you want to yell, waiting for the supposed big reveal.

Instead, I busied myself by looking at the most random cast since....ummm....well, ever. Though you may be mildly surprised at who's in it, you definitely won't be at their performances.


Roger Guenveur Smith: weird, creepy, and wild eyed as usual

Paula Jai Parker: ho'n it up and acting crazy, as usual

Patti LaBelle: sassy and for real gal not takin' any mess, as usual

Clifton Davis Junior: bland and boring, as usual

Leon: preening, arrogant, vain, and self-involved, as usual

Vivica Fox: plays the "mmm-hmmm, girlfriend!" role, lip twisted and with one eyebrow raised, as usual

Louis Gossett, Jr.: serious and no-nonsense, as usual

Mya: contributing as much to this movie as she does to the music industry.

Fun fact: the preacher's wife from the Richard Pryor classic "Which Way Is Up?" is in it, and she is still pretty funny. At least I think it was her.

Besides the tired theme of "forgiveness", the main problem is with one half of the leads. Aunjanue Ellis plays the wife, and she does the best she can with what she has. She is accused of murdering Leon, the husband's HIV positive lover, which is the other mystery in the plot. She is the only reason this film has any credibility at all, and I really wish she would get a lot more work...say substituting her for everything Gabrielle Union is in. She is also from San Francisco, a big plus in my eyes. It is Razaaq Adoti who plays the husband, Dutch Maas, that is the bad apple that spreads to the rest of the film. He is supposed to be the object of affection for at least four people in this film, yet he is not very good-looking, and is completely charm and charisma free. He didn't even seem that bright. I think he won this part on a bet, as even in the most dramatic scenes in the film--crying, fighting, scared, whatever--he is massively and totally unbelievable.


He was in another film that I saw on another mini movie marathon a while back, "Haven", with Anthony Mackie and Zoe Saldana. Even though that film wasn't that great, he did pretty well in that one, so I guess there's hope for him in the future. Ms. Invisible says rent this one when they are out of everything else at the video store. Here is the trailer--it takes a second to start:





And last (and least) is "Madea Goes To Jail". Ummm....yeeaaahhhh.....you're gonna have to read about that elsewhere, as I don't want to dedicate another drop of my precious posting space to that mess of a movie. Guess this picture's from the play:



So there you have it. Basically nothing to see here folks. Except "Dogtown and Z-Boys". I might have some movie news later, as I'm in a writin' mood today.




*i say semi-hot, cause i was never that attracted to these guys in the first place

Dis N' Dat....

Yeah, I know, spotty posting. What can I say? If I was paid to blog in a real way, I'd blog every day...I just don't have the wherewithal like someone like The Black Snob...I'm a slacker and semi-proud of it!

For terrific movie news, join Tambay Obenson at the "Obenson Report", which had a veeery interesting dustup on Black Film Festivals HERE (be sure to read the comments), or hop on over to the great Black Cinema blog "Black Film Academy" which also faithfully lists calls for submission for filmmakers and screenwriters.

Onward....

Some of this you probably heard already, but you know I must always add my two cents.

Y'all know how I feel about Bey, so there is nothing more I can add to that. But Beyonce as Angela Davis? Just plain wrong. And Stupid with a capital "S".

What I do want to see is Wesley as James Brown in Spike's bio-pic. Me no likey Mr. Snipes for the past few years, but I am extremely intrigued to see what he and Spike will come with.

A friend of a friend of mine Cheo Hodari Coker, who wrote "Notorious", is now penning the bio-pic for Run DMC. Hmmm...all I know is that going to Stanford University seems to open a lot of doors, no matter what you choose to do in life.

This just in from Planet Duh: Will Smith is now officially the most valuable and highest paid actor in the business, in the world. Who woulda thunk?

Saw this clip of Gabourey Sidibe's audition for the movie"Push", by Lee Daniels, and thought it was interesting. What I don't find interesting, however, is that the film is being fought over by Lionsgate and the infamous Weinsteins. Just give it to Lionsgate you greedy fuckers and let us see a decent Black film for once!



I have been on deck to interview one of the film's producers and Lee's partner, Lisa Cortes, for some time now...I guess I'll have to wait for the final verdict to do it.

Am trying to stay out of the Rihanna/Chris Brown fray, but there is a lot of personal emotional involvement on the part of the general public. Should women be allowed to go ballistic on men with no consequences? How many breaks do you get being famous, even beating someone with the whole world watching? And so on. All I know is that this is just another sad case in Black male/female relationships, where there is already plenty of anger on both sides. Speaking of which, I will be reviewing "Diary Of A Tired Black Man" this weekend.



And speaking of relationships, lovely reader Ms. Lady Deborah (email me your address, girl) wins a copy of "A Good Day To Be Black And Sexy" (I will be interviewing the Director Dennis Dortch very soon so stay tuned). She thought the best Black Cinema love scene was Angela Bassett and Wesley Snipes love scene just holding each other all night after meeting in a hotel was terrifically romantic. She said: "When I think of what scene in a movie provided me with a realistic satisfying moment-it was in Waiting to Exhale. When Wesley and Angie met, cuddled and did not have sex. I believe that came across that way because the real need they had at that moment was being met."

I would tend to agree that sometimes the best sex is sexless. On second thought, maybe just rough and dirty talk sex. Ummm...Ms. Invisible will investigate and report back, haha!


Speaking of Angela Bassett, saw this on Obenson's blog:

Angela Bassett will be stepping behind the camera for the very first time, as director of a film based on a book by Percival Everett called Erasure, stating, "I always thought that I had a third eye, but it's frightening and I always wonder if I can pull it off... It's a good story. I've had opportunities in the past to direct smaller, independent movies and television shows. I never want to do it just for the heck of it."

Erasure has been sitting in my ever-growing pile of books to read for about a year now. It's about an African-American writer who "overcomes" his intellectual tendency to "write white" and ends up penning a parody of ghetto fiction that becomes a huge commercial and literary success.

From IW: Sounds great to me, with a tad of "Bamboozled" in it, it seems....now maybe Angie can give that strong jaw a rest for a while, lol.




thanks black market index and c&d for the bey, wesley pix

Random Movie News....

First of all, I must say welcome back to "The Obenson Report" and it's podcast. Tambay Obenson's blog was supposedly out of business, but I knew he'd be back! Please check him out for "serious" black film news, as well as his amusing perspectives on Black Cinema. His blog is all the things I wish I had the wherewithal to do....

On my last visit there, I see now that the classic "Hollywood Shuffle" is on Hulu. For the readers of this blog who were too young to see it the first time out, or those who never got around to it, you can view the full movie below, or go to Hulu. It is a must see about a struggling actor and his trials and tribulations in his personal life, and having to deal with playing stereotypes in Hollywood. It is also very funny.



Speaking of Hollywood Shuffle, I saw a movie about an actor with similar dilemmas over the weekend called "Premium". You may be able to catch it on cable this month--it is also out on DVD.

Dorian Missick, who I was not familiar with before, plays the struggling protagonist/actor, who is helplessly in love with Zoe Saldana. Unfortunately, Hill Harper is her buppie fiance, creating quite the love triangle.

I wasn't expecting much, so I was very surprised that it turned out to be a film about the subtleties and matureness of love, and how we don't always end up with the person we'd like to be with, cause love in and of itself is realistically not enough. It was refreshing to see the men appreciate Saldana for qualities other than her "big butt and a smile" to paraphrase Bell Biv Davoe, as we've seen in a thousand low budget Black films. It was also the first time I've seen Hill being all manly and acting with a real passion.

I have to say that Zoe Saldana is very much on my radar now; she is like a prettier, less hard, less grating, and more talented version of Jada Pinkett. There is a naturalness to her acting that is very intriguing...I think I may actually allow myself to be OK with her playing Uhura in the "Star Trek" remake, lol. Check the movie "Premium" out--which is written, directed, and produced by Pete Chatmon (kind of a hottie)--on a lazy Sunday afternoon.



Speaking of Pete Chatmon, did you know that he wrote and directed a film about Black soldiers fighting in WWII way before Spike's "Miracle At St. Anna"? It's called "761st". The synopsis is this:

The 761st Tank Battalion was activated on April 1, 1942, at Camp Claiborne, Louisiana and deployed to Europe, landing at Omaha Beach in France on October 10, 1944. Over the course of 183 days of continuous fighting (including action in the Battle of the Bulge) the "Black Panthers" became the first African-American armored unit to enter combat. With the motto "Come Out Fighting!" they faced racism at home and death overseas in a war for many freedoms they did not enjoy in America.

Sound familiar? I wonder if dude is ready to put foot to ass over the clamoring of Spike's film, while his gets completely overlooked. Kinda f'd up, imho.



I guess you've all heard that they are remaking "Fame"...I'm guessing to capitalize on the popularity of the High School Musical franchise. **yawn**




Got this from Sergio:

IW

After reading the comments about Tsotsi, like a dope I forgot to tell you this film I saw a few months ago Heart of Fire about a young girl's experience as a child solider in Eritrea, which I think BLOWS AWAY "Tsotsi". It's a German/Italian co-production made by a Italian director but it's awesome. [Hopefully] you'll mention it on your blog.

Duly mentioned...sounds really interesting. To read a bit more about it, click HERE.


Some questions...am I the only one who has zero desire to see "Twilight"? Am I the only one super curious to see how Taraji P. Henson does in "The Curious Case Of Benjamin Button"? Am I the only one who wonders why they keep giving that walking corpse Nicole Kidman work? Just askin'.




And finally, thanks ever so much (gosh, shucks) from my folkses at "The Marvalus View" and "The Happy Go Lucky Bachelor", who each gave me the "Uber Amazing Blog" award. You know, what can I say? I completely deserve it....I keed! It is an award for a blog that

inspires you
makes you smile and laugh
gives amazing information
is a great read
has an amazing design
and/or any other reason that makes them Uber Amazing

It's wonderful to know they feel about me the same way I feel about them. Thanks guys! :-) All of the blogs on my blogroll on my side bar I feel the same way about...so if you want to post this award on your blog, tell your readers I gave it to you!

Random Movie News....

Yes, very random--a veritable Black Hollywood stew.

First up--Spike is all over the place these days...he is making a film on the L.A. Riots. From comingsoon.net:

Spike Lee may be close to filming his movie about the 1992 Los Angeles riots with producer Brian Grazer, who tells ComingSoon.net that it might hit theaters before their sequel to “Inside Man 2.”

Grazer, the founder of Imagine Entertainment with filmmaker/partner Ron Howard, said the L.A. riots film would be a “360 degree view of what that is, an autopsy of how a riot works."

Like Spike, Grazer has been trying to get the project made for a long time.

From IW: Hopefully, Spike and Grazer won't butt heads--those are 2 massive and polar opposite egos in the room. But if Spike gains control, at least it will be from a Black perspective for once.


Question...why, why why, is Universal ready to make a "Nutty Professor Part 3"?


I'm sorry, except for Hugh Jackman, this has to be the sorriest ass Sexiest Men Alive Top 10 List in homosapian history. Pathetic! (sorry Blair)



Have you heard that Cedric The Entertainer is in talks to make a movie based on the life of Marcus Garvey? About f*cking time somebody is! It will be extremely interesting to see Ced play a dramatic role with Garvey, and he does have the look for it.



And for all of you checking out the Old Boy/Will Smith/Spielberg saga of an "Old Boy" remake (including me), here is the latest.

No one really expected that team to come through, and I was wondering what the cop-out would be--here it is; the movie will be based on the graphic novels of Old Boy, and not a remake of the Korean film. That f*cking figures. I knew they would get around actually making something truly noteworthy somehow....it kinda pisses me off, to tell the truth.




And finally can someone explain what these folks are trying to do here? This "Black Dynamite" movie seems to be a copycat blaxploitation movie with a straight face, but I can't tell. With such random folks as Arsenio Hall, Nicole Sullivan, and Jimmy Walker, are they serious, or is this a parody? Note to the filmmakers: "I'm Gonna Get U Sucka" was done 20 years ago--we still remember it!

Random Movie News....

I've been meaning to post about about some of these things...I believe I know about a lot of them before you read them elsewhere, but it's starting to look as if I'm constantly on the late train. I will do my best to do some timely posting, maybe some one-offs instead of waiting and putting everything in one post.

You know Ms. Invisible is not a hater by any means, but there are some people that really and truly grate my nerves, and seem to be doing nothing to alleviate it. So when I hear that Beyonce says she wants to star as the comic book heroine Wonder Woman in a movie, I am beginning to feel that she might secretly be torturing me and laughing. Oh, Ms. Sasha Fierce...I mean really, WTF? You can read the story HERE.

This next person doesn't get on my nerves, but his movies sure do.

Chris Rock is remaking the British film "Death At A Funeral" and it's described as this:

'The ensemble comedy will take place in an urban American setting and centers on a funeral ceremony that devolves into a debacle of misplaced cadavers, indecent exposure and family secrets. The cast will be primarily black, supplanting the earlier, England-set version's British cast.'

and one of the quotes in the Hollywood Reporter story was this:

"Chris, who was an unabashed fan of the film, came to us with a hysterical, completely new reimagining of the original concept," said SKE's Jim Tauber, who is serving as an executive producer along with scribe Craig.

Whatev! Sergio and I both agreed that Rock hasn't made a decent or funny film since "CB4" in 1992, and I really didn't even think that one was all that great.

One more nerve grating entry, if you can stand it; this one is a doozy. From MTV:

'Hitherto known simply as “The Untitled Wayans Brothers Project,” the upcoming film from Marlon, Shawn, Keenen Ivory and nephew Damien will be appropriately called “Dance Flick” and spoof movies like “Save the Last Dance,” “Hairspray,” “You Got Served” and, yes, “High School Musical.” '

From IW: **crickets**

Let's move on to something less depressing, shall we? My beloved filmloving comrade Tambay Obenson is having a wonderful screening of "A Good Day To Be Black And Sexy". Here are the details--please support him and this movie!

When:Wednesday Nov 12, 2008at 7:00 PM

Where:Cobble Hill Cinema 265 Court Street Brooklyn, New York

Admission: S10.00

RSVP: RSVP@actnowproduction.org /ActNow is a Not-For-Profit Theater & Film Co /Take F or G train to Bergen St
http://theblackandsexymovie.com/

From IW: I haven't seen the film yet, but judging by this trailer, apparently it involves lots of Black people and lots of sex, haha:




Sergio emailed me a story about a Will Smith collaboration with Steven Spielberg to do a remake of a Korean film called "Old Boy". He thought that it was a huge mistake for the two of them to be involved with this film. I had never heard of the movie, but was curious, so I watched it over the weekend.

I must say, it was really dark, with things like incest involved, and some very heavy duty sex and violence scenes--very non-Smith to say the least. I agree with Sergio; the beauty of this film is it's intensity, and if Smith and Spielberg don't roll with it to the fullest, then why even bother remaking it? If they do roll with it, it will be positively groundbreaking for Will, but I wouldn't place any bets that it will happen. Here is the trailer from the original movie:





And last but not least, the Black Hollywood Film Festival is calling for entries, heads up to my filmmaking and screenwriting fam that read this blog:

The Hollywood Black Film Festival (HBFF) has announced its Call for Entries for the 10th Anniversary of its annual competitive festival for Black filmmakers. HBFF 2009 will be held June 2-7, 2009 in Beverly Hills, California. The festival will feature narrative and documentary features, short and student films, music videos and animation in its competitive program. HBFF also presents a separate Storyteller Competition for screenwriters.

The festival will be accepting submissions through February 15, 2009. Films must have been completed since September 2007 and one of the film’s creative principals (director, writer or producer) must be Black or of African heritage. The early-bird deadline for film and screenplay submissions was January 15, 2009, the final deadline is February 15, 2009. Submission forms and guidelines can be obtained by visiting the official festival website at http://www.hbff.org.