Okay, I see that BET is trying to compete a bit with TV One on the Black Movie thing. For the most part, BET isn't really stepping to the plate like they should, mainly showing "Soul Plane" ad nauseum. Take last night, for example: TV One was showing "Shaft", "Shaft's Big Score!", and "Shaft Goes To Africa". BET was showing "New Jack City". While I know that New Jack City is on many a favorite list, in my mind, there is no contest; TV One is bout it, bout it.
Let's briefly summarize what has been shown on BET Movies as of late (bear in mind I don't pay much attention to their line-up):
Gang Of Roses: Lil'Kim. Stacey Dash, Monica Calhoun (ugh) and others I kinda forgot as former prostitutes in the wild, wild West that become outlaws on the lam. Who knew that there were weaves, Baby Phat clothing, and MAC makeup in the Old West? Complete and total ridiculosity in every way from the script to the costuming to the acting.
The Wash: Featuring the super amazing acting skills of Snoop Dogg and Doctor Dre as 2 buddies working at a car wash. I frequently say that this is the worst Black movie I've ever seen, and I doubt that will ever change to my grave.
Leprechaun: Back To Tha Hood: About a leprechaun running around the ghetto trying to get his gold back. Need I say more?
State Property 2: Was there even a need to make State Property One?
Waist Deep: Super, duper low budget, but I'll give them a pass on this one (the only one), because I love looking at Tyrese and Meagan Good.
Three Can Play That Game: Kudos for at least trying to stay semi-current. As for the film itself....*sigh*
Nora's Hair Salon 2: I wrote about the dude who "wrote" and "directed" this movie before, Jean Claude LaMarre, a singular force involved with some of the worst films in Black Cinema history (he was also a part of "Gang Of Roses" and "Don't Touch Me If You Ain't Prayed! Part 2"). LMAO at his introduction in the beginning saying that he feels a responsibility toward our community for telling real stories about "us". Whatev! If you thought the first Nora's Hair Salon was bad, it was "The Dark Knight" compared to part two.
TV One on the other hand...classic and wonderful all day long.
Car Wash: Richard Pryor, Bill Duke, The Pointer Sisters, Ivan Dixon, George Carlin, Antonio Fargas, and the music of Rose Royce all in one film? Yes, the storyline was trite, but it is a true beloved classic., and everything "The Wash" wishes it was.
Dirty Laundry: The one misstep from them, maybe. Tho the core storyline was well intentioned, I place it on that long list of formula films that I am beginning to loathe....family comes together for a gathering, usually at a cookout or big dinner--macaroni and cheese, greens, fried chicken, etc. is served---revelations are made, secrets are revealed, drama ensues, and it is wrapped up with "family is family, no matter what". Can somebody please, please PLEASE give Jenifer Lewis a new M.O.? I can recite her lines as the sassy/mean/nosey/hypocritical neighbor/relative almost before she says them herself.
Let's briefly summarize what has been shown on BET Movies as of late (bear in mind I don't pay much attention to their line-up):
Gang Of Roses: Lil'Kim. Stacey Dash, Monica Calhoun (ugh) and others I kinda forgot as former prostitutes in the wild, wild West that become outlaws on the lam. Who knew that there were weaves, Baby Phat clothing, and MAC makeup in the Old West? Complete and total ridiculosity in every way from the script to the costuming to the acting.
The Wash: Featuring the super amazing acting skills of Snoop Dogg and Doctor Dre as 2 buddies working at a car wash. I frequently say that this is the worst Black movie I've ever seen, and I doubt that will ever change to my grave.
Leprechaun: Back To Tha Hood: About a leprechaun running around the ghetto trying to get his gold back. Need I say more?
State Property 2: Was there even a need to make State Property One?
Waist Deep: Super, duper low budget, but I'll give them a pass on this one (the only one), because I love looking at Tyrese and Meagan Good.
Three Can Play That Game: Kudos for at least trying to stay semi-current. As for the film itself....*sigh*
Nora's Hair Salon 2: I wrote about the dude who "wrote" and "directed" this movie before, Jean Claude LaMarre, a singular force involved with some of the worst films in Black Cinema history (he was also a part of "Gang Of Roses" and "Don't Touch Me If You Ain't Prayed! Part 2"). LMAO at his introduction in the beginning saying that he feels a responsibility toward our community for telling real stories about "us". Whatev! If you thought the first Nora's Hair Salon was bad, it was "The Dark Knight" compared to part two.
TV One on the other hand...classic and wonderful all day long.
Car Wash: Richard Pryor, Bill Duke, The Pointer Sisters, Ivan Dixon, George Carlin, Antonio Fargas, and the music of Rose Royce all in one film? Yes, the storyline was trite, but it is a true beloved classic., and everything "The Wash" wishes it was.
Dirty Laundry: The one misstep from them, maybe. Tho the core storyline was well intentioned, I place it on that long list of formula films that I am beginning to loathe....family comes together for a gathering, usually at a cookout or big dinner--macaroni and cheese, greens, fried chicken, etc. is served---revelations are made, secrets are revealed, drama ensues, and it is wrapped up with "family is family, no matter what". Can somebody please, please PLEASE give Jenifer Lewis a new M.O.? I can recite her lines as the sassy/mean/nosey/hypocritical neighbor/relative almost before she says them herself.
When We Kings: TV One wins for this one alone, in my eyes. It has been on my top 5 list since the first time I saw it. I am always very interested in how Blacks have lived in other decades; their clothes, their music, their challenges. Though this film is technically about Muhammad Ali and the infamous "Rumble In The Jungle" fight, it is all the things I look for and more.
It is about race relations in the United States, as well as the beginnings of American Blacks being able to start reaching out to our African brothers for really the first time. It had performances by The Spinners, James Brown, Miriam Makeba (all who performed for the related festivities of the fight) and is a perfect snapshot of how very political and influential Ali was at his pinnacle, though that becomes almost secondary in this film.
I will go more in depth about this film at another time-it deserves it's own post; until then, enjoy the Black Cinema TV One is supplying to the masses.
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