Sucker Punch
Score: 5,5/10
Zack Snyder is a filmmaker who never goes low-priced when it comes to the visualization of a film. I’ll even come clean to giving him a pass on story because he gets premium marks for a great looking work, but there aren’t adequate bonus points in the universe to excuse all of the malfunctions, of which there are scores of, in this particular picture. The film indeed doesn’t start off badly. It shows the main character, Babydoll, driven from her home to a house for the insane in a brilliantly revealed title on the rain-splashed window of the 1960s car that’s transporting her to her new nightmare. Later, as its 109 minutes tick away, the film plunging us into Babydoll’s imagination as it echoes the idea popularized by “Inception” that dreams exist within dreams, showcases with Snyder’s evident love of digitally enhanced, over-the-top ultra-violence in super slo-mo style. Yes, there’s arresting imagination and visuals sprinkled throughout this one, like a video
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Score: 5,5/10
Zack Snyder is a filmmaker who never goes low-priced when it comes to the visualization of a film. I’ll even come clean to giving him a pass on story because he gets premium marks for a great looking work, but there aren’t adequate bonus points in the universe to excuse all of the malfunctions, of which there are scores of, in this particular picture. The film indeed doesn’t start off badly. It shows the main character, Babydoll, driven from her home to a house for the insane in a brilliantly revealed title on the rain-splashed window of the 1960s car that’s transporting her to her new nightmare. Later, as its 109 minutes tick away, the film plunging us into Babydoll’s imagination as it echoes the idea popularized by “Inception” that dreams exist within dreams, showcases with Snyder’s evident love of digitally enhanced, over-the-top ultra-violence in super slo-mo style. Yes, there’s arresting imagination and visuals sprinkled throughout this one, like a video
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