Korean writer-director Bong Joon-Ho has crafted a film that has changed the face of creature flicks in South Korea, and completely set a highest new standard that until now still very difficult to be approached by other wannabes. “The Host” not only succeeded in cutting loose from monster movie clichés by centering on the human characters of a dysfunctional family, it also confronts the genre by running in drama, humor, political satire, and presenting an overview of life in huge city of Seoul. Hailed by many critics as the much-welcome return of the good, old-fashioned monster movie, is there any Korean creature film that finally able to confront “The Host” in this era of 3D? After two years of pre-production, an oil rig monster flick called
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